And in my thin lead, I'd make sure there were no 300 Hz sounds. If it were only those two sounds, I'd EQ out some 3 kHz in the 300-Hz-type sound.
It can be as simple as saying, “Oh, my lead sounds a bit thin right now,” and then looking for an additional sound that has a lot going on in the 300-Hz range. Are you spending much time working the EQs and envelopes to get these elements to sit together? Do you have any go-to methods for achieving balanced layering?The key to proper layering is to find the gaps in the frequencies and then fill them up with sounds that specifically stand out in those frequencies. There is a whole lot of layering in this track.
#Deadmau5 Ableton Live Project Download download#
You’ll need to sign up for a free account and download the Splice app to get at Luke’s Live Set, and try out his techniques for yourself.We took the opportunity to chat to Luke about the Live Set, the perils of mixing in stereo, the importance of layering, and mixing down for club systems. You can download and examine the Live Set for his production “Stepping To The Beat” via the creative sharing platform Splice and see how it’s all done.
Perhaps a look under the hood of a big artist’s Live Set would shed some light on the techniques that separate stadium bangers from a humble demo.Lucky for us, Dutch EDM veteran Laidback Luke has obliged our curiosity. How many times have you listened to an immaculately produced track and wondered how they did it? Perfect mixdowns can seem mysterious and unattainable, especially when you’re using the same production tools as a top-flight producer, but your results don’t sound that way.
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